He likes to make sure acts know what they're getting when they hire him. Magnolia soundtrack producer guitarist movie#And I mean that about everything that I do, like doing sessions, doing a movie soundtrack, producing a record or co-writing a song." "And the only reason they hire you is they want to co-opt some of what you do, because they think it'll make what they do better. "Any work you get is because people have heard other work you've done," he says. Throughout the 1990s, Brion seemed to be permanently behind the mixing desk, building an enviable reputation for his work and compiling a stellar client list. When the calls from Los Angeles started to come, offering him studio gigs, he decided to relocate there.Įven as Brion formed The Grays with ex-Jellyfish guitarist Jason Falkner, he found himself more and more in demand on the other side of the studio. There, he played solo gigs, formed a band called World's Fair and toured with Aimee Mann's Til Tuesday. Growing up in New Jersey with a father who directed concert bands and a mother who sang in jazz groups, music was destined to be Brion's calling.Ī move to Boston in 1987 was a big step in this regard. While it may be his tag as soundtrack composer of choice which is largely responsible for pulling in the crowds, Brion's musical roots extend far beyond the big screen. "I've chosen to do something where both my work and my life are integrated and both are happening simultaneous every hour I'm awake." "As long as people keep showing up and paying attention, I will keep doing the shows," he says. There's a strong sense that these live outings are as much Brion's way of letting off steam after another long week in the studio as an opportunity to try out new tunes and ideas. It's a hugely entertaining and engaging affair as it veers hither and thither across the musical universe.īrion has been doing a similar show at the Largo club in Los Angeles every Friday night for the last eight or nine years, with regular guest appearances from the likes of Michael Stipe and Elvis Costello. At New York's Canal Rooms, his live set weaves a wayward way through covers (paying his respects to David Bowie, Prince and The Yeah Yeah Yeahs, amongst others), soundtrack out-takes and songs penned or co-penned by Brion himself. Tonight, though, Brion simply wants to be a song-and-dance man. If you want your music to benefit from a sumptuous, theatrical orchestral pop sound, there's really only one fellow to call. Aimee Mann, Fiona Apple and, most recently, Kanye West may be the marquee names, but Brion has also worked with Brad Mehldau, Rufus Wainwright, Badly Drawn Boy and a concert hall of others. Besides a clutch of quirky soundtracks for such films as Punch-Drunk Love, Eternal Sunshine of the Spotless Mind and Magnolia, you'll find Brion's name attached to all manner of albums as producer or songwriter. From composing sountracks for films such as Magnolia and Eternal Sunshine of the Spotless Mind to producing albums for the likes of Kanye West and Fiona Apple, Jon Brion is the hippest backroom wizard around.
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